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Mailbag: The Top 3 Horn Concertos

A question came in earlier this year asking generally what are the top 3 horn concertos. With the end of the semester for my...

Two Works by Underrepresented Composers to Consider for a Recital

Last weekend I shared a recital with Dr. Deanna Swoboda, our tuba/Euphonium professor at ASU. Besides two trios (with piano) we both played two...

Grad auditions, part II. New trends in solos

I don’t require any specific solos at ASU, and I found that, compared to prior years, there were a few changes. Lots of Strauss II I...

The most popular horn solo?

Recently I was looking at a Google stats report for Horn Matters and something jumped out at me. One horn solo in our collection...

A correct approach to Till, from Farkas

Till is one of those essential excerpts we all learn, and it has a correct interpretation. One person who got the correct interpretation directly...

PSA: Strauss 1 has No Exposition UPDATE: Also Strauss 2

In recent years I have seen repeated references to an “exposition” of the first Strauss horn concerto. What makes it very puzzling to me...

Lessons in Vienna, part IV: Brahms 3

This series of articles expands on notes taken by Nicholas Smith in lessons with Roland Berger in 1977. After finishing with the solos in the...

4 charming works of B. Ed. Müller for horn and piano...

In thinking about horn repertoire, and teaching it completely online for the end of this semester, my mind turned to the question of what...

Mozart K407 – We should be playing this work more often

In my summer practice I’ve kept coming back to the Mozart Quintet for horn and strings K407, and the more I look...

Tempos and the Hindemith Sonata

Tempo choice is always an interpretation question. At the 2019 IWBC Gail Williams performed the Hindemith Sonata on...