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Interview: Rose French on Rangesongs
In 2012 Mountain Peak Music released a new book for horn players. While outwardly an etude book, I am hesitant to put Rangsongs in...
Hornmasters: Cousins and Reynolds on Conductors
For this final post in the entire "Hornmasters" series we have two perspectives on the conductors we will be working with.
Three categories of conductors?
Farquharson...
Hornmasters on Performance Anxiety, Part III: Wekre and Reynolds
Frøydis Ree Wekre in Thoughts on Playing the Horn Well notes that
The best remedy against stagefright and nervousness is to always be in the...
Horn Pedagogy Week 11: Endurance, Use of an Assistant Horn, Dynamic Range, and Mouthpiece...
This week we have a variety of topics to cover, generally related to solo performance and orchestral playing.
Readings for this week
As to the orchestral...
Hornmasters on Stopped Horn, Part II: Schuller and Berv
Stopped horn is an important topic that has to be considered from multiple angles
Stopped horn and half-stopped horn
In Horn Technique Gunther Schuller wisely expands...
The University of Horn Matters
Advanced, Online Courses on Horn Repertoire & Pedagogy
The University of Horn Matters horn pedagogy and repertoire courses are presented free as an Open Educational Resource...
Hornmasters on Stopped Horn, Part I: Introduction and Farkas
With stopped horn we get to another interesting and important topic, and also one that is not without some controversy.
Confusion is rampant
As an example,...
Hornmasters on Accuracy, Some Final Notes
In short, in this series we have seen that there is no shortage of advice with respect to the critical topic of accuracy. To...
Hornmasters on Accuracy, Part IV: Perfection and Beyond!
The quest for accuracy is in a sense a quest for perfection. It is a mission taken on by many horn players, and is...
University of Horn Matters: The Early Valved Horn
The years between 1814 and 1850 saw the introduction of the valved horn into music and many changes in horn technique, especially in the...